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The first half of the film opens with Naresh moving to a new town and bumping into the heroine. He is serious, angry, unromantic, focused, matured and is willing to reel off heavy sentimental dialogues at the drop of a hat to anyone whom he accidentally bumps into or seeks his help. He is a walking talking moral science text book who finds fault in the rise of price of onions to young girls wearing scanty clothes to college in a bus. Strangely despite his wise counsel, the heroine who is seen gaping at his wisdom never changes into a half saree or a saree or even a salwar kameez in the next scene or even in the dream sequences.
The director never leaves a chance to take a dig at everyone from someone erring at a traffic signal to the police man who arrives at the scene of crime after everything is over.
Coming to the story, Naresh is a gym coach who for some reason appears detatched and has something to hide. The director does a good job towards the end by keeping the tempo that way, otherwise the logic would have gone missing. It is later revealed that he is hunting for the people who snatched away the peace in his home.
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